Last summer I had my first real vacation in years and I decided with my wife and son to go to Hawaii. After the initial excitement of the decision, I began to worry. Maui is no less than 10,500 miles away from where I live so we’d had to make two stops and travel for 22 hours – definitely the kind of stuff you only do once in your life.

Considering that the whole vacation was going to cost a fortune anyway, I thought I should make the best of it by taking lots of photos. When I started to pack all my camera gear (2 bodies, 8 lenses, vertical grip, spare batteries, 2 flashes, tripod and more), I realized that a. –  I’d need a very big bag for all of it, b. –  the last thing I want to do is to carry that damn thing with me along with the other luggage and c. – there’s a high chance for the equipment to get damaged in transit.

And then, thinking of Mr. Fogg who went around the world in 80 days with no luggage, just loads of cash, it hit me – when I go in a vacation, I don’t take my car with me – I rent one while I’m there. So why should I get all my expensive gear with me when I could find what I need there?

One minute later I had my answer: Maui Camera Rental is a photo rental company located in Maui (they have another office in Honolulu too). Browsing their inventory, I realized that not only I could find there all my beloved lenses, I could even try lenses I simply could not afford to buy. For example, a Canon EF 70-200 F2.8 L IS II USM that retails for $2,500 can be rented for just $100 for a whole week. So rather than dragging a whole bunch of lenses half the globe, it simply made more sense to take just my main camera body and the cards and rent everything else, depending on my needs.

Also, while I was preparing my gear, I realized I’d need some sort of underwater housing (Hawaii sans scuba diving? No way!) but to be honest I didn’t even know what to look for. Fortunately they have not only underwater housings for cameras and various lenses, but housings for flashes too! (I didn’t even know they exist).

Overall I was amazed by their offering. I could have made a whole photo session or a wedding with their equipment, as they have everything from Profoto lights and stands to CF cards and even Macs, including software.

So if you’re travelling to Hawaii, I think it’s worth checking them out. And even if you’re not and are going somewhere else, it’s still worth checking with the local businesses and see if you can save  time & money by renting the equipment.

The good news is that Apple just released Aperture 3 – and not a moment too soon, considering how many users were tempted to ‘jump ship’.

Aperture 3 brings a number of improvements across the board, most notably:

• better library organization, with easy catalog switching, searching and filtering; GPS integration; face detection;
• support for video;
• non-destructive brushes.

It’s still hard for me not to see it as Apple trying to catch up with other products. Non-destructive brushes have been available in Lightroom for an year and more recently in Bibble. Same with almost all other features like fullscreen support, import options, image attributes such as color labels and so on.

Other features seem more geared at the casual photographers rather than the pros (not that this is bad thing), like export to Flickr or Facebook.

Overall, I believe Aperture is not about bringing new users rather than keeping the existing ones, but Apple’s commitment is important not only to reassure the users but also to keep the pressure on competition (Adobe, I’m looking at you).

You can see the full list of new and improved features on Apple’s site.

Aperture 3 is priced at $199 for the full version and $99 for an upgrade.

Ethics? What ethics?

Without trying to justify the abuses of retouching, it does has its uses. Acne for example is something transitory, I’ve had models with a few spots now and a perfect skin a week later – what should have I done, postpone the shoot? Ask her to put a thicker layer of makeup? (have you seen how much makeup is used in film/tv?) Moreover, the camera and studio lights are unforgiving. Stuff you’ll never notice in real life, like small wrinkles, shine and so on, become painfully obvious at when captured in full 25 Mp resolution. And even before Photoshop, people were using makeup and airbrushing and favourable angles to get the most flattering look.

The moral dilemma is, obviously, where to draw the line?

Portrait Professional 9 from Anthropics is definitely not going to make the previous question any simpler because, if anything, it pushes the boundaries further, allowing one to enhance portraits so easily it’s almost ridiculous.

How it works

At a glance, it’s a stand-alone program (not a Photoshop plugin) that does face sculpting, eye recoloring, skin repair, hair repair, teeth whitening and more. What’s really cool about it is that it creates some sort of a 3D model of the face, so after you set the control points, most adjustments are fully automatic.

You start by loading a picture and choosing the gender. You then click to indicate the corners of the eyes, the tip of the nose and the mouth. After that the program will build something like a wireframe model of the head, which you can fine-tune. I found that this is the most important stage; misplacing control points can lead to poor results.

In this screen you align the wireframe model with the facial features

After the model is built, the fun begins. The program has a very simple interface based on sliders.

The main slider areas are:

• Face sculpt (head, jaw, nose, neck, eyes, mouth);
• Skin controls (spots, wrinkles, shadows, hue, shine, texture);
• Eyes (whiten &brighten, sharpen, eye color, darken pupil, remove reflections);
• Mouth (whiten & brighten teeth, lip saturation and colour);
• Hair (shine, tidy, vibrance);
• Skin lighting (shadows, relight, contrast, highlights).

Overall, there are enough sliders to keep you happy for hours.

Almost anything can be ajusted via sliders

There are some mask-painting features to restrict the skin and hair areas. The skin controls even feature a Texture selection that allows you to retexture the skin so it doesn’t appear unnaturally smooth. The Skin lighting controls seemed the least useful, at least for me, but I think it can help in bad lighting situations.

Enough theory, let’s see it in action

Scenario 1 – spots

This is an all-time favorite. So ephemeral yet so low-esteem-inducing, they appear exactly when you want them the least – like before a photo session.

Removing spots and wrinkles is a one-click process

In the original, the acne was visible even with the makeup. The image on right is the result of automatic processing in Portrait Professional. Perfect skin yet not plastic-like.

Scenario 2 – Skin shine, teeth and eyes

Here I had a beautiful model with a different – it was very hot and the lighting was pretty crappy (indoors, available light – tungsten – yuk!).

With one click, skin was cleaned up, shine removed, teeth whitened and just for fun I recolored the eyes too

Sweat on makeup is always an issue, but Portrait Professional managed to clean it nicely. Also note some subtle teeth whitening (not really needed). Just for kicks, I made the eyes wider and changed their color.

Scenario 3 – Playing God with Face Sculpting

This is THE feature that sets Portrait Professional apart from competition. In short, it uses some internal algorithms to determine the facial structure and “push” them towards an ideal. Obviously, not everyone is going to like it. I tried some face sculpting on a photo of my wife and she hated it; others have loved the results.

This is understandable because, as the program tries to alter the photo to perfection, it also destroys one’s uniqueness (as an example, look at a beauty pageant – the contestants tend to look all the same) and I mean it when I say “perfection is boring“.

There’s something disturbingly fascinating in reshaping someone’s body to fit an idealized fantasy. Perhaps Photoshop (and plastic surgery) has made us all into little Frankensteins or Doctors Moreau, always trying to undo God’s / Nature’s work. But I digress.

For the final example I chose someone with a great attitude and a small flaw. She had a rather big jaw compared with the rest of her hear. I did not have Portrait Professional when I took the photos, but decided to try it now for this review and see what would the program do in her case.

Since there are many subtle changes difficult to notice side-by-side, I included a flash animation for the Before and After.

Conclusions

It took me a while to realize it, but the makers of Portrait Professional want it to be seen as an alternative to Photoshop (one of the reasons it’s a standalone app and not a plugin) and at $69 it’s quite tempting. It can definitely turn a few hours of retouching into a 10 minute play time and if used sparingly it can do wonders.

The downsides? Well, if everybody get their hand on it, no Facebook pic will remain untouched. God help us all.

Dell Adamo

With much fanfare, Dell unveiled their new ‘luxury’ laptop this week. Just 16mm (0.65in) thick and weighting 1.8kg (4 pounds), Adamo (meaning ‘falling in love’ in Latin) seems aimed at the Macbook Air market. But is it really worth the hype?
Adamo’s system specs are as follows:

• 13.3″ display;
• Intel Core Duo 1.2 GHz;
• 2 Gb DDR3 RAM;
• 128 Gb SSD;
• Windows Vista Ultimate 64bit.

How much does it cost? Two grand. ($1999 to be more exact.)

Now excuse me, but it seems like a crazy idea to me. Coming out with an underpowered and overpriced laptop in these economic times? How are they planning to sell it?

Have a look at the advertorial below:

In case you got bored watching it, here are some quotes:

• “Adamo was created to elicit desire and redefine the image of power“
• “Adamo resulted from the union of technology with pleasure“
• “Once you hold it, you won’t want to put it down“
• “Because with this ultra-thin, portable aphrodisiac at your side, lack of attention won’t be a problem.“

Excuse me? Union of technology with pleasure? Portable aphrodisiac? Are we talking about a laptop here or were the copywriters on crack? My take is that they’ve tried to copy Apple’s style and failed. I mean, have a look at the video again, the woman pulls the laptop out of a cheap & ugly cardboard. Marketing 101: if you sell something at a premium, at least make sure it’s packaged like a jewel. (Apple knows it best).

Now, I’m no Apple fanboy (I don’t own any Apple products) but it seems to me that Dell dropped the ball on this one. Advertorial aside, the laptop specs don’t justify its cost and personally I don’t even like the design. I wouln’t buy it.

Would you?

From RAW to perfection

With the new releases from Adobe, DXO Labs and Phase One, I’ve decided to put to the test some of the top RAW processors. These are:

• Adobe Photoshop Lightroom 1.3;
• DXO Pro Optics Suite 5;
• Capture One 4.

NOTE: This article has been updated to include the newest releases from 2009-2010 and also reviews Capture One. Read the newer article here.

I would have wanted to also test Apple Aperture 1.5, but it wasn’t possible at this time, so, I decided to postpone that test.

These programs represent the high-end segment of the RAW converters, since they are all geared (or at least marketed) as tools for professional photographers. This doesn’t mean that Bibble, Silkypix or ACDSee Pro are not capable, it’s just that they have a different market.

Of course, their features and intended uses do not overlap completely. Lightroom in particular is billed as a DAM (Digital Asset Management) software, whereas DXO has extended features in term of image geometry correction. Still, I’ve tried to judge all three of them fairly and bring the best out of each one, rather than trying to prove a point.

Interface

All three programs have similar interfaces. It would be definitely unfair to say that any of them copied the other. They all employ a dark, monochrome look that is essential in avoiding misjudging colors, and they all use collapsible side-panels.

Lightroom	Capture One	DXO

Unsurprisingly, Lightroom has the most complex interface. It has five tabs on the right, called Library, Develop, Slideshow, Print, and Web as well as panels on the left and right. The nice thing about its interface is that all of them can be hidden, including with an auto-hide option, allowing for a very efficient management of screen estate. Moreover, in the “lights dim” mode, the interface is faded, allowing the user to further concentrate on the photo itself.

DXO has a more workflow-oriented interface, with four main tabs called Select, Prepare, Process and Review. Its focus is on the Prepare tab, dedicated to adjusting the image. On the right side there are a number of panels stacked one on top of the other (similar to Lightroom) that can be also quickly accessed via the icons on the top right, although I still find them a little confusing due to their number and location (e.g. the White Balance is somewhere in the middle).

Capture One takes a different approach. It doesn’t want to be a DAM, but a very fast RAW processor. It has some quick tools at the top and some tabs on the left (Library, Quick, Exposure, Color, Details, Crop, Metadata, Adj. Clipboard, Output and Batch). The first tab lets the user select the files from the drive and then the next tabsset different processing parameters. With the Quick tab and the Copy/Paste settings tools at the top, adjustinting settings is very fast and efficient.

Features

Of all three, Lightroom is certainly the most ambitious. Its image management features allow for thousands of photos to be maintained by the Library and retrieved with ease. Still, the library management is rather slow compared to dedicated programs such as ACDSee. Even with that, Lightroom has plenty of other features to keep one happy. For example, the History tool allows the photographer for unlimited undo since all edits are non-destructive while snapshots and virtual copies lets one experiment with different looks. Web Slideshow and Print Management are nice perks too, although not essential.

DXO has different strengths. Its image management features are minimal, yet it shines in a different area: geometry correction. Having separate profiles for each camera/lens combo, DXO can automatically correct distortion, chromatic aberration, purple fringe and softness. Actually, DXO will automate many things: noise reduction, shadow/highlights and more. Features like keystoning and volume anamorphosis corrections are not only impressive, they are essential especially for architectural or wide-angle shots.

Capture One represents a huge improvement over version 3, but it has a different philosophy. It reminds me a little of RAWShooter – very small, very fast, allowing for quick corrections. It has less options, but they are arranged so that it’s extremely easy to correct and process hundreds of photos. It too has a Variants feature but lacks advanced color correction, a “healing brush” and other features present in its competitors.

Color Rendition

Camera sensors differ from one model to the other; most RAW processing software use their own camera color profiles, so it’s not surprising to get different colors out of the same picture by using different programs, even when leaving the white balance, contrast and saturation to “as shot”.

In my tests I’ve tried to get the best colors out of each picture, rather than relying on defaults. Below are some photos processed with each of the programs:

Nature

Lightroom	Capture One	DXO

In all nature shots, I noticed Lightroom’s tendency to produce yellowish greens. Here, without a doubt, DXO produces the best image without even trying (it was on default settings), whereas I couldn’t get the same look in the other two even after many tweaks. Capture One fared the worst with unnatural colors (see the blueish shadows on the roof).

Illustrations

Lightroom	Capture One	DXO

This is a more extreme case. In order to get a nice blue sky, I’ve used the Vibrancy control to enhance the colors. Capture One doesn’t have the vibrancy feature, so I had to rely on plain old saturation, with disastrous results. Lightroom and DXO produced virtually identical photos, with DXO having a slight edge.

Portraits

Lightroom	Capture One	DXO

Here DXO misses by automatically applying too much of its “lighting effects”, which is a Shadow/Highlight recovery control (it can be turned off but I left it on for this photo to illustrate how sometimes too much automatic control can degrade a picture). Capture One creates a more natural-looking image, but overall Lightroom renders the most pleasing photo. Also notable is that Capture One is the only one missing a healing brush, which was used on the girl’s face in the other two images. The absence of this tool is not really a big deal, but it would have been nice.

Sharpness, noise and dynamic range

Now lets look at the level of detail provided. Note: to avoid any compression artifacts, details are presented in PNG format.

Detail and artifacts

Lightroom	Capture One	DXO

Capture One doesn’t have any chromatic aberration control, which is responsible for the vertical blue line. I was very surprised and disappointed by DXO performance; even though it boasts a new processing engine designed specifically to avoid these kind of situations, it still produces some rather ugly color artifacts while at the same time looking not sharp enough. The only way I could remove them was by increasing the color noise reduction, which in turn would have negatively affected other areas of the picture. Lightroom provides a sharp, clean and detailed image, clearly the best.

Light and shadows

Lightroom	Capture One	DXO

Now here DXO gets to show its power. Its lighting control is more advanced than the Fill Light present in Lightroom and Capture One, while the perspective correction (keystoning) capabilities allow for a superior photo. The shot was made at ISO800, 1/10s handheld, f5.6. Looking at the details, Lightroom and Capture One manage to create very clean images, although Capture One leaves some specks. The DXO version features more noise (to be expected in the shadow considering the extra processing) but also more detail. Annoyingly, DXO loses detail in the stained glass, which is peculiar since the brighter area of the photo shouldn’t have been affected.

Sharpness

Going back to the portrait above, lets see a 100% crop:

Lightroom	Capture One	DXO

I have “played” considerably in each program, trying to achieve the best possible results, but Lightroom manages the best balance between sharpness, cleanliness and noise.

Speed

Processing speed is dependent on many factors, including the processor, available memory, image size and amount of processing applied to it, making perfectly objective tests rather difficult. The numbers presented here are meant just for comparison.

Still, the fastest program is, without a doubt, Capture One, which is also impressive because it seems to be written entirely in C# (DXO is also based on .NET). On my laptop, the processing speed on capture One was 10 seconds/picture. In the second place, I had Lightroom, with 32 seconds per picture. I’ve tried to make things fair for DXO by removing all advanced processing such as lighting effect, geometry correction, even chromatic aberration and vignetting. Still, DXO came in last, with an atrocious 94 seconds spent for each picture, or almost 2 minutes per picture will all options activated.

Conclusion

In terms of output quality, the differences aren’t that huge and in some cases are more related to personal preference; all three tools are very capable of high quality output.

Of the three, Adobe Lightroom is the most consistent. It has a nice set of tools and features, solid results and few weaknesses. It’s integrated features allow the photographer to do all their work, from start to finish, in one program, in many cases with no need for Photoshop or other tools.

DXO is a mixed bag. It produces great colors, especially for nature and its geometry correction tools are a real life saver. On the other hand, it’s very slow, rather very unstable and just not great in terms of processing details. [Edit: I've thought initially that there must be something wrong with my computer but then I've found out on forums that many people complain about DXO 5 stability issues; for me, it crashes 80% of the time, when doing simple things like zooming in or applying sharpness.]

Capture One seems like a very nice “quick” tool. Even though it’s a beta, it’s fast in all areas (UI, workflow and processing), polished and stable. The pricing is also very attractive – just $130 compared to about $300 for the competition.